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ECAMM MOVIE TOOLS HELP PLUS

(Should have been doing that all along.) I also work in a mix-minus setup now, so I have the host and guest tracks separate, allowing for greater control over quality of sound. Meaning that I do all the processing and clean-up on the wav files BEFORE I edit them. – In my “process”, I’ve basically swapped around #6 and #7. The QH4 is a much higher quality headphone amp, and is also configured in a way that makes much more sense (jacks on the front, instead of the back like the Pyle). The Pyle was super bare-bones, and had to be unplugged when not in use, and sometimes allowed line interference. – Replaced the Pyle 4 channel headphone amplifier with a Samson QH4. (Thankfully Skype-to-phone is rare for us.) In which case it destroys the audio from my side. One of which is a bit of line noise that I can sometimes hear but doesn’t show up in the recording, UNLESS I’m making a phone call over Skype. It’s a nice little mixer, though it has some quirks I don’t love. I replaced it with a Samson MixPad MXP124FX. – After 5 years of use, my Alesis Multi-Mix 8 shorted out. Looking back at this 6 months later, and I have a few changes to note: Thanks for sharing so much with us, Adron! Edit MP3 with ID3 Editor or Tagr to add info and graphic.

Occasionally use an FFT Filter to adjust tone on interview – frequency adjustment.Piece together narration over music beds.Import Interview and Narration WAVs into MASTER EDIT template.Noise Print Capture / Reduction Process.Edit narration and export to WAV with processing:.Record my intro/outro narration directly into Audition, using my “narration station” (AudioTechnica mic and isolation shield).DeHummer (if necessary after noise printer or to alter sound).Import the raw edit, and re-export to WAV with processing:.Edit the episode, and export a “RAW INTERVIEW” without additional processing.Have to be careful with this, because it can cause some tinny, odd sounds if over-processed.Capture Noise Print from raw WAV file, and run Noise Reduction Process.Use ECAMM Movie Tools to split track and process into WAV.Make sure to get 15 seconds of room-tone before we start.Record interview via Skype with ECAMM Recorder plug-in.iMac – 27-inch, Late 2012 – 3.4 GHz Intel Core i7 – 32 GB ram.

ECAMM MOVIE TOOLS HELP PLUS

Pop Guards – Sterling Audio mesh filters, plus a cheap on-mic windscreen.

Boom Arms – NEEWER Microphone Suspension Boom Scissor Arm Stand.

Monoprice Acoustic Isolation Shield – narration station.

Zoom H4n recorder – on location recording.

Sennheiser boom mic – location recording with Rycote Softie windscreen.

MXL 2006 condenser mic – new interview mic in testing.

Sterling S50 condenser mic – secondary interview mic.

AudioTechnica AT875R condenser mic – narration mic.

MXL 990 – main interview mic (large diaphragm condenser).

Backup – M-Audio MobilePre Amp (2 channel).

We had a riveting conversation about his equipment and workflow, which he was nice enough to outline for us here: GEAR My guest is Adron Buske, host and co-producer of the Nerd for a Living podcast, and co-founder and creative director at Armadian Creative.