Eddie Van Halen, Jimmy Herring, Stevie Ray Vaughan. Seems like it should be pretty easy with the L6Link gear! Reading various articles on how people have done things using traditional gear.
Looking like a weekend spent working and playing guitar is in my immediate future! Dropped off my strat and JTV last week, those should be ready tomorrow. Just had my amps retubed with JJ's so I will keep a log of how those perform hoping I don't have to haul them back to the shop and put EH's back in.
My parts are still a few weeks out, so I have some time to work on my playing, and get my tones dialed in. Band is working in studio for the last three Tuesdays', last night went well, was all the other guitarist laying down his acoustic guitar parts with a really nice Taylor. I know folks have done that alot with Studio/Direct, curious to hear from the DT crowd, especially those crazy enough to buy more than one of these amps! If I do the wet/dry thing, that would be pretty cool too, as would the split of variax mags / variax models. Panning is better, just send them both center. Thinking about it as dual mono rather than stereo made for some interesting ideas.
STEREO GUITAR RIG FREE
I suppose that would also free up the post-mixer slot for the stereo FX loop -> to the Zoom pedal, for chorus, reverbs, delays, EQ, etc. I am thinking with two discrete amp models, into two DT25's it's more akin to "dual mono" than it is to actual stereo.Īs dual mono, I would lean toward loading all the FX into the pre-mixer spot.
STEREO GUITAR RIG HOW TO
SO yeah, as I think I recall, Stevie Ray Vaughan used to do a wet / dry thing, blending his amps like that.Īnother idea I had was since the Variax can split the models and mags, would be cool to send one to each amp which could occur within the stereo idea, or the wet dry idea, or some combination of the two.Īlso considering how to incorporate that Zoom pedal that Radatats clued me into that pedal is awesome, very useful for adding an extra FS, reducing DSP usage, and it's stereo. I can totally understand why folks opt to split them up into head and cab for the weight alone!Īnyway, I digress. Moving just two of those 1x12 combos is heavy enough as is!įor anyone considering deciding between a DT25 1x12 combo vs the head and cab, these little combos are plenty heavy.
I can see that the real way to get true "stereo" is have four of these things linked - and no way I am going there.
STEREO GUITAR RIG FULL
More recently, started thinking about some other ways to approach that kind of rig.Īnother traditional setup would make one amp "dry" and the other "wet" IE, using the Link, send one only the signal up to and including the amp model, and the other the full route of post FX. Mono pre FX -> two amp models, panned hard left/right -> and stereo post FX. Sounds awesome can be tricky to get the two levels balanced if the two amp models are radically different. I have been ruminating on how to program two DT25's (1x12 combos) with an HD500x + JTV59.Īt first, I took the obvious route, and made them a simple stereo pair.
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